Viennese
painter Gottfried Helnwein, who specializes in exaggerated expressions,
was brought to the U.S. to photograph "the typically American look"
Hoglund desired. Hoglund’s assistants Dorothy Chapman and Charlotte Quiggle
rounded up a dozen TIME staffers to pose for preliminary photographs.
"The final painting was a composite based mainly on Associate Editor
Jim Kelly," Hoglund says. Kelly thinks the honor "dubious".
Initially,
all who were asked to pose were flattered, "But," says staff
writer Alex Taylor, "after being sat down in a chair, having water
sprayed on my face, my hair tousled and tie loosened, I asked myself,
"What am I doing here?"
"It
became a contest of who could look the most stressful," says staff
writer Kurt Anderson. "Trying to look stressful became stressful
in itself." Reporter-Reasercher Phil Elmer-DeWitt claims "It
was a lot of work to scrunch up my face." But for C M & D’s Bob
Hughes, "Looking stressful came naturally, and at my most tense moments
I usually look worse."
Everyone
wanted to stay anonymous. On a flight to New York Senior Editor Don Morrison
struck up a conversation with a fellow passenger who was carrying the
stress issue of TIME. "When I mentioned the shoot, the man said,
‘I do see a resemblance around your eyes – strain.’"
Kelly
has had second thoughts about remaining unknown. "I wonder if I’m
justified in asking out Nastassia Kinski? After all, we were both TIME
covers."